Krishna dancing with gopis

JAlso known as ‘Kojaagari Punam,’ the festival is celebrated on Aso sud 15 – Purnima. Lakshmi, the goddess of wealth moves around in the night sky, asking `Ko jaagarti’ searching for people below who are awake. In Sanskrit, `Ko jaagarti’ means, ‘ Who is awake?’ And to those who are awake she gifts wealth.

Origin

1. The Sanatkumar Samhita cites the story of ‘Kojaagari Punam.’ In the Samhita Vaalkhil rishi narrates that in ancient times, a poor Brahmin named Valit lived in Magadhdesh – Bengal. While he was a learned and virtuous man, his wife revelled in quarelling, behaving totally opposite to his wishes. Once on his father’s `Shraddh’ – day of paying homage to the deceased- she flung the ‘pind’ – ball of wheatflour – in a sewage pit, rather than the sacred Ganga, as custom required. This infuriated Valit. Therefore he renounced home to search for wealth. In the forests, he met ‘Naagkanyas’ – girls of Kaliya Naag’s ancestry. These Naagkanyas had performed the ‘Kojaagari Vrat’ – staying awake on Aso sud Punam. They then sat gambling with Valit. The night happened to be Aso sud Punam. Valit lost everything. At that moment, Lord Vishnu and consort Lakshmi, happened to pass by. Since Valit had incidentally observed the ‘Kojaagari vrat’, Lakshmi graced him handsomeness similar to that of ‘Kamdeva’ – the deity of love. Now attracted to him, the Naagkanyas married Valit and gifted him their riches. He then returned home with the riches, whence his wife received him warmly. After this episode, the Samhita declared that those who remain awake on this Punam will be graced with wealth.

2. On this night, Lord Krishna invited his faithful devotees, the Gopis of Vrundavan, to play the Maha Raas (traditional folk-dance) with him. They had earned his grace by overlooking society’s disdain on them (`loklaaj’), to offer him unalloyed devotion.
When they left their homes in Vraj and arrived in Vrundavan, Shri Krishna welcomed them. Yet to further test their love for him, he averred: ‘Women of character such as you, should not leave home to meet another man in the middle of the night!’

These words seared the Gopis’ hearts. In extreme grief, they uttered:
‘Our feet will not budge the slightest from your lotus-feet. So how can we return to Vraj?’
Pleased with such immutable love for him, Shri Krishna initiated the Maha Raas, by assuming as many forms as there were Gopis. At this point, they beamed with pride that, ‘Nobody’s devotion can excel ours, by which the Lord favored us.’ Instead of accepting the Maha Raas as the Lord’s grace, ego marred their devotion. Therefore he instantly vanished from the Raas mandal!
Now filled with remorse, the Gopis repented. Recalling Shri Krishna’s divine episodes – ‘lila’, they lamented their pangs of separation, and sang kirtans known as ‘viraha geet’:

‘Jayati te-dhikam janmanaa vrajaha ….. (Shrimad Bhagvat 10/31/1)
Describing the ‘lila’ in the Bhagvat (10/30/25), Shukdevji narrates to king Parikshit:
‘O Parikshit! Of all nights, that night of Sharad Punam became the most resplendent. With the Gopis, Shri Krishna roamed the banks of the Yamuna, as if imprisoning everyone in his lila!’

Lord Krishna

3. Aksharbrahma Gunatitanand Swami, the choicest devotee of Bhagwan Swaminarayan was born on Sharad Punam, Samvat 1841. He granted ‘wealth’ by blessing spiritually ‘awake’ devotees with God-realization.

Sentiments

The spiritual import of ‘Jaagrati’ (awake) is to remain vigilant. In Vachanamrut Gadhada III-9, Bhagwan Swaminarayan elaborates on this vigilance. He says that the vigilance in one’s heart is the gateway to the Lord’s divine abode. Devotees should not let mundane desires, of wealth, lust and so forth, enter their hearts. When faced with obstacles such as: success and failure, happiness and misery, honor and insult, the devotees should remain unflinching in their devotion to God. In this manner, they should remain vigilant at the gateway to God, not letting any mundane objects through.

Therefore, every moment in our lives requires vigilance and this in itself becomes a subtle form of ‘tapas’ – austerity. Those who performed severe austerities without vigilance, succumbed to Maya. Vishwamitra performed austerities for 60,000 years, but lost ‘Jaagruti’ – vigilance – in Menka’s company. Similarly, lack of vigilance toppled Saubhari rishi, Ekalshrungi, Parashar and others.

Symbolic Import

Just as the night sky of Sharad Punam is clear and suffused with lunar resplendence, the aspirant should similarly endeavor to purify his ‘antahkaran.’

For this he has to eradicate body-consciousness and mundane desires and imbibe Brahma-consciousness, in order to incessantly experience Parabrahma. (Gita 18/54, Shikshapatri 116). For this the aspirant needs to seek the Gunatit Sadhu, who is the gateway to moksha (the Lord), as proclaimed in the Bhagvat (3/29/20):
Prasangamajaram paashamaatmanaha kavayo viduhu,
Sa eva sadhushu kruto mokshadwaaram apaavrutam.

i.e. the sages decree that if a jiva who is deeply attached to his body and bodily relatives, similarly attaches himself to the Gunatit Sadhu, the doors of moksha will be opened for him.

Ritual

‘Dudha-Pauva’ – parched rice soaked in milk – is offered to God. This prasad is then availed by devotees. The health attribute of this prasad is similar to that of Dashera’s; it corrects any disturbance in ‘pitta’.

The BAPS Swaminarayan Sanstha celebrates the festival with great fervor in all mandirs at night. Devotees sing Aksharbrahman Gunatitanand Swamikirtans and extol the glory of Aksharbrahman Gunatitanand Swami.Five artis are performed during the assembly. Pramukh Swami Maharaj usually celebrates Sharad Punam in the Gondal mandir – built on the sacred site of Gunatitanand Swami’s cremation.

It was Yogiji Maharaj who introduced this festival in Gondal along with the ritual of 5 artis. Usually one arti is performed at the time of birth – the Janma mahotsav arti – as for Shriji Maharaj on Chaitra sud 9 and for Shri Krishna on Janmashtami. When asked about the reason for the 4 artis preceding the birth arti, Yogiji Maharaj gleefully replied, ‘These 4 artis are in joyful preparation for Aksharbrahma Gunatitanand Swami’s birth celebration!’ Such was the glory he attributed to Bhagwan Swaminarayan’s choicest devotee.

Janmashtami – birth day of Lord Krishna

Janmashtami, the birth of Lord Krishna is celebrated with great devotion in the August/September months, on the Ashtami of Krishna Paksh or the 8th day of the dark fortnight in the month of Bhadon, in the whole of north India. Temples and homes are beautifully decorated and lit. An attractive feature of the celebrations are cribs & other decorations depicting stories of Lord Krishna’s childhood. There are five main “jhankis” of Janmashtami which depict the entire sequence of events from Lord Krishna’s birth to his being discovered in Gokul.

The “jhankis” include the birth of Krishna in jail, Vasudev carrying Krishna to safety across the river Yamuna amidst thunder and lightning, Vasudev’s return to the jail, Kansa killing Yashoda’s daughter and finally the little Krishna in the cradle in Gokul. “Jhankis” are created out of dolls dressed up as kids, men and women with lehangas, chunnis, dhotis & kurtas. Raslila of every type are also performed – Janmlila, Shankarlila, Putnalila and Naglila. In the evening bhajans are sung which end at midnight, the auspicious moment when Lord Krishna was born. Thereafter arti is done, prasad distributed and flowers showered on the idol.

Celebrations at Braj Bhoomi

Mathura, the birthplace of Lord Krishna, where his parents lived in captivity of the evil Kansa and he as a young boy came and vanquished his maternal uncle Kansa to ascend the throne and free his parents, celebrates Janmashtami with great enthusiasm. The main celebrations are performed at the Dwarkadhish temple, Mathura in the form of Jhulanotsava and the Ghatas during the entire month of Shravan. The ghatas are a unique feature of the month long celebrations. During the ghatas of a particular colour the whole temple is covered with decoration in the same colour. Even the Lord dresses up in the same colour. The twin cities of Mathura-Vrindavan takes on a festive look and spirit of devotion runs high among the people. It was on the banks of the Yamuna river where Lord Krishna played during his childhood and indulged in pranks and tricks with his friends and the gopies. There are about 400 temples dedicated to Lord Krishna in this sacred city and the major festivities are held at the Banke Bihari, Rangaji, Shri Krishna Balram temple and Gopinath temple. The Raslila of Braj is thematically the basis of many performing arts.

Lord Krishna was born in the DuaparYug which came just before the Kal Yug and Janamasthami, his birthday falls on the Ashtami Paksh or the 8th day of the new moon fortnight in the month of Bhadra some time in July or August. The Jhankis ( tableaux) depicting many significant scenes from Lord Krishna’s life are the intrinsic part of Janmasthami. Devotees also make beautiful Jhulans (Cradles) for the baby Krishna. In some parts of India, young men break the Matkas (Earthen Pots) filled with butter and curds. The most important tableux is that of baby Krishna. A idol of baby Krishna is placed on a cradle, which is rocked to recreate scenes from Krishna’s infancy. The devotees believe that anyone who makes a wish and while rocking the cradle in which the Lord is, his or her wish will be granted on this day. Other popular Jhankis are Kaaliya Mardan(vanquishing the black snake Kali Nag), Kansha vadha ( Killing Kansha) and lifting the Govardhan Parbhat.

In Brindavan, every year the Raasleelas or the folk theatre acting out Krishnas Lifes stories begin much before the Janmasthami day. These Raasleelas are staged by professional drama troupes or even young children. These dramas characterised by colourful costumes and equally colourful backgrounds. Raasleelas are usually accompanied by musicians and are very popular among the people. The language spoken by the actors and the actresses is the Brajbhasha but sometimes Hindi is also used.

Rituals

The ceremony of worship is a very simple affair. The priests chant holy mantras and bathe the idol with Gangajal (water from the holy Ganges river), milk, ghee (clarified butter), oil, and honey pouring all these from a conch shell. Only after the ceremony is over, the devotees break their daylong fast . In Janmashtami, the devotees keep awake and sing bhajans till midnight, the moment when Krishna was born. People fast all day and eat only after the midnight birth ceremony. Often the image of the baby Krishna is placed on a swing and bathed with charanamrit (holy water). Midnight prayers are performed. The sound of hymns and religious songs extol the greatness of Krishna.

This festival occurs on the eight day (Astami) of a lunar fortnight hence the name (Krishna+astami). Krishnastami which comes sometime in August is celebrated over two days. The first day is Krishnastami or Gokulastami. The second day is called Kalastami or more popularly Janmastami.

At midnight between the first and second days the ‘birth of Lord Krishna is replicated with pomp and ceremony. Delicacies are prepared from milk and curds that Krishna loved. The more popular ceremony of Dahi-handi (breaking a pot full of milk and its derivatives} takes place on the second day. This ceremony is so popular that Krishnastami has come to be synonymous with the ceremony of Dahi-handi.

Lord Krishna

The Ceremony of Dahi-Handi

During this ceremony a large earthenware pot is filled with milk, curds, butter, honey fruits etc. and is suspended from a height between 20 to 40 feet. Sporting young men and boys come forward to claim this prize. To do so they construct a human pyramid by standing over each other’s shoulders till the pyramid is tall enough to enable the topmost person to reach the pot and claim the contents after breaking it. Normally, currency notes are tied to the rope by which the pot is suspended. This prize money is distributed among those who participate in the pyramid building.

In his childhood, Lord Krishna along with his mates used to raid the houses of his neighbours in search of milk and butter. It is a common practice in India to tie up food articles in a pot suspended from the beams of the roof so as to prevent domestic animals like cats and dogs from despoiling them. We are told that every day after the men and womenfolk left for their farms, the naughty and adventurous Krishna along with a band of his mates would build a human pyramid and plunder the caskets of milk and butter much to the chagrin of the owners.

Krishna Lila The story of Lord Krishna reflects life in a pastoral society. Cattle are the principal means of subsistence. The activity of people revolves around tending cows, milking them, making curds, butter etc. Krishna himself has names displaying a pastoral charecter. Govinda and Gopala as he is also known, mean cowherd. In Sanskrit ‘go’ means cow.

Krishna is always shown with his flute (Bansuri). He is considered to be the Hindu God of Music and is the patron god of Indian musicians of the traditional schools (Gharanas), irrespective of their religion.

In brief the life story of Krishna according to mythology is as follows:

Kansa, the king of Mathura was a very cruel tyrant. His tyranny spared no one, even the sages had to bear the brunt of this. Finally the gods c
ould tolerate no more of it and in a dream Kansa was told that his evil reign would be brought to an end by his sister Devaki’s son who would kill him. The cowardly tyrant immediately threw his sister Devaki and her husband Vasudev in prison so that he could kill all the sons born to Devaki.

The Cruelty of Kansa

In captivity Devaki bore six sons, each of whom were promply killed by Kansa. The seventh time, the gods again thought it necessary to intervene. On the night of the birth of their seventh child, the prison guards fell into a deep slumber and the doors were unlocked. Taking advantage of this opportunity, Vasudev slipped out of the prison and whisked away the God-child to the safety of a neighbouring kingdom which was ruled by king Nanda. King Nanda’s domain lay across the Yamuna river. We are told that at that time the Yamuna was in spate, but when the waters touched the feet of the God-Child Sri-Krishna, the waters parted making a channel for Vasudev to pass.

Lord Krishna at Gokul

The generous king Nanda gave away his new born daughter to Vasudev knowing fully well what fate awaited her at Kansa’s hands. Next morning Kansa completed his gruesome job complacent of the fact that his would-be avenger was still living. At Gokul, under king Nanda’s protection, Krishna got the loving affection of Nanda’s Queen Yashoda whom Krishna looked upon as a mother. Days passed in fun and frolic, while the child-Krishna grew up. But one day rumours reached Kansa that Devaki’s son had somehow escaped his cluthes and was living in Gokul.

The Demoness Putana

To kill Krishna, he engaged a demoness named Putana. After specially treating the demoness Putana so that her nipples were poisoned he disguised her as a nymph and sent her to Gokul to try to breast-feed Krishna and kill him. But God that he was, the child Krishna saw through the game and in a miracle, we are told, the demoness fainted, the moment Krishna’s lips touched her breast. Kansa’s plot to eliminate Krishna was foiled. But as a result of sucking the poisoned milk Krishna’s originally fair skin turned dark. The story of Srikrishna’s life neatly explains away the reason for his dark complexion. But it is quite possible that Krishna was of non-Aryan origin. The word Krishna itself means dark

Kalia Mardan and the Lifting of Mt. Govardhan

Krishna continued to grow at Gokul. He acquired notoriety as a pilferer of milk and butter, but had endeared himself to the people of Gokul by his playfulness.

Among other things, he is said to have done at Gokul, he lifted Mount Govardhan to save the people of Gokul from a storm. He also tamed Kalia, a giant snake that lived in the Yamuna river and terrorised the people of Gokul. While still in his teens, Krishna came to Mathura where King Kansa had organised a wrestling tournament. Krishna participated in it and after defeating all the contestants, he challenged Kansa to a wrestling bout. The evil Kansa’s time was up: Krishna defeated him and killed him. The people of Mathura were relieved.

Another major event in Krishna’s later life was that he functioned as an adviser to the Pandavas and during the Mahabharata war between the Pandavas and Kauravas he was Arjuna’s (one of the five Pandava brothers) charioteer. The original recitation of the Bhagvad Geeta (Song of the Blessed Lord) is accredited to him. This document contains profound ideas on many issues touching on the temporal and non-temporal aspects of life.